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About ‘how we treat the others’
About ‘how we treat the others’

Artur Zmijewski

Conversation on “Glimpse”

Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project?   We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...
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  • contemporary art
  • concentration camp
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • media theory
  • Siegfried Kracauer
  • photography
  • History of photography
  • film